embodiment etudes

short somatic studies applied to yoga

shoulder diaphragm

by julee snyder

shoulder girdle

I’ve had several teachers over the years speak of the shoulder diaphragm without being clear about its structure.  I have often been confused to whether they were referring to the thoracic inlet, the shoulder girdle, or both.  I am still unclear, but over the years the question has allowed me the opportunity to unfold the complexity of this area of the body for myself.

As we discussed in our explorations of the skeletal system, the only place where the upper extremity meets the torso is the sternoclavicular joint, where the breast bone and collar bones come together.  You may have noticed that each of our diaphragms make either a diamond or circular/oval shape.  And the shoulder girdle, forming a diamond,  is no different.  It’s front point is the manubrium of the breast bone, shared with the thoracic inlet.  Then it travels the length of the collarbones to it’s lateral point, the acromium of the scapula.  From there, we travel toward the back body to the shoulder blades.  Interestingly, there is no bony point to form the back of this diamond.  But through muscular attachments, you could consider the spinous processes of all of the thoracic vertebrae.  This amorphous back point allow the shoulder blades and arms their vast range of mobility.  But this mobility sometimes allows us to lose the integral support of the back body in favor of collapse of the chest and forwardly rounded shoulders.

In the thoracic inlet post, we discussed lifting the manubrium from the root of the feet or the seat.  This is also useful for finding a healthy postural position of the shoulder girdle.  One of the biggest culprits for a forwardly rotated shoulder position is a tight pectoralis minor and it is very hard to get a release via stretching.  There are poses that help open the front of the chest and they should definitely be practiced.  But don’t forget that the other side of the equation is the strengthening of the back body, in particular the muscles that bring the shoulder blades toward each other.  Those are the rhomboids and the middle and lower trapezius muscles. Belly down backbends are excellent for strengthening these muscles.  Come to lying on your belly with the arms out to the sides and the thumbs turned up toward the ceiling from the upper arms.  Begin by keeping the head down and lift the thumbs and arms straight up toward the ceiling squeezing the shoulder blades together.  After a few rounds add the lift of the head.  How many variations of belly down back bends can you think of?  Practice them all!

The shoulder blades also have a tendency to wing if the anterior serratus muscle is not strong.  It runs from the medial border of the scapula to the lateral rib cage.  Its job is to protract the shoulder blades, or knit them to the rib cage.  When practicing table or plank, use serratus anterior to draw the shoulder blades flat against the rib cage.

As we stack the shoulder diamond on top of the thoracic inlet, again find the lift of the manubrium from the rooting of the base.  Begin to play with pointing the outer tips of your collar bones forward, back and then straight to the sides.  This wakes up your range of choice.  Try to find equal width across the front and back of your chest.  Play with maintaining equal width in various poses.  Be conscious about when you vary from it, why, and how it supports you.  Play with it in different arm positions.  How does it support you in weight bearing poses through the arms: down dog, handstands, crow, e.g.?  Let us know what you find.

Happy practicing!

thoracic inlet

by jsbodywork

thoracic.inlet

The thoracic inlet is an opening at the top of the ribcage formed by the bony ring of the first ribs, the first thoracic vertebra, and the manubrium (top of the breastbone).  It is where the neck meets the torso.    Many vital anatomical structures – arteries, nerves, veins, lymph vessels, plus the trachea and esophagus – pass through this aperture.

If we are looking for a structure in the body that parallels the pelvic floor and the thoracic diaphragm, let’s consider the Sibson’s fascia.  The Sibson’s fascia is a thickening of the pleural fascia at the apex of the lungs and extends the endothoracic fascia, which lines the thoracic ribcage.  It is anchored to the internal border of the first ribs and the transverse processes of the C7 vertebra.   And because the lungs extend somewhat above the thoracic inlet, so does the Sibson’s fascia.  Check out this cool drawing.

Many of us tend to collapse our thoracic cage during activities of daily living.  Yoga practice is one of the places where we practice our postural alignment.  Come to sitting in a chair with your sitting bones near the front of the seat and  your feet flat on the ground.  Allow your spine to collapse into an old postural habit.  Then turn your attention to your sitting bones and feel them push down into the chair as you lift your manubrium and 1st rib upwards.  Only go as far as you can feel equal length in the front and back of your body.  Once you feel compression in your kidneys, you’ve gone too far.  This should bring your thoracic cage into its fullest volume and the thoracic inlet into its widest opening, creating a fuller breath and an increased sense of vitality.

Now try this in tadasana, mountain pose.  Can you feel the lift of the 1st rib from the rooting of the feet?  Begin to catch yourself slouching throughout your day and instead of hoisting yourself into ‘good posture,’ see if you can find a healthy lift of the 1st rib from the grounding of your feet or seat.  In a later post, we will add to this a stacking of the diaphragms.

Once you become accustomed to the sensation of lift and fullness in the rib cage, begin to find it in other poses.  Also notice that some poses in the forward bend family actively cultivate a condensing through the front of the rib cage, a drawing down of the first rib and manubrium, and a narrowing of the thoracic inlet.  While some poses in the backbending family do the opposite.  Continue to play and notice.  Report back to us what you find!

Happy practicing!

uddiyana bandha

by julee snyder

Uddiyana-bandha-yoga

Uddiyana bandha takes the energy from mula bandha and draws it up the spine into the thorax. To better understand this bandha, it is helpful to review the abdominals and the thoracic diaphragm.

Let’s begin by warming the relationship of the abdominals and the breath.  Come to rest on your back and place your hands on your belly.  As you inhale, feel how the belly softly rises into your hands.  And as you exhale, feel how it falls.  This is the belly breath.  After a few rounds of the belly breath, begin to actively engage the abdominals in towards your spine as you exhale by using the transverse abdominus, that muscle that wraps around your midsection like a corset.  This should allow you to squeeze out any last bit of breath.  As you inhale, release the abdominals and allow the belly breath.  Continue a few rounds like this and then rest.

If you are new to the practice, stop there and practice that much for a few days.  When you are ready, you’ll move to the next phase.  Continue as before.  Inhale, allow the belly to rise.  Exhale, engage the abdominals to squeeze the breath out.  Then hold the breath out while you lift both the pelvic diaphragm, engaging mula bandha, and the thoracic diaphragm.  This is uddiyana bandha.  Slowly release and allow yourself a couple of natural easy breaths before repeating.  After a few rounds, stop there and resume the practice another day.

As with any of these practices, they can be strong muscular actions or more energetic.  After you have practiced as above for a period of time, start to take the practice into sitting.  Find a comfortable sitting position.  As you inhale, feel the length of your spine.  As you exhale, allow your spine to round into a C-curve position using the abdominals to squeeze the last bit of breath out.  Inhale, and sit tall again.  On your next round, begin your C-curve from a lift of the mula bandha, but continue to engage the abdominals to squeeze the air out.  Inhale, sit tall and breath normally again.  On your next exhale, repeat the rounding of the spine while engaging mula bandha and the abdominals.  Hold the breath out and add  your uddiyana bandha, with a lift and hollowing of the belly up into the diaphragm.  Notice the closing of the glottis.  Release the glottis and the diaphragm as you sit tall and allow the breath to flow in.  Breathe normally for a few rounds, and repeat.

With this practice, less is more.  Practice over time to reap the benefits.  Begin to notice places in your everyday life and daily practice where you find a spontaneous engagement of the bandhas.  Play with it in cat pose, downdog, inversions, arm balances, and more.  Feel free to share your findings here.

Happy practicing!